How Was This Picture Made #5: The Answer

Earlier this week I posted a portrait as the next installment to our How Was This Picture Taken series. Most of our readers took this as an opportunity to stretch their brains a bit and try to use visual clues within an image to figure out how it was taken. They are rewarded all of the internet points.* A few, missing the entire point of the post in an effort to be “right”, decided to go directly to the image’s EXIF data and rattle off the technical details of the image. They are rewarded zero internet points.*

*internet points are imaginary, useless and non-redeemable for anything except for maybe bragging rights

If you need a refresher, here is the original post and the photo in question (this time with metadata). I highly suggest you click on the image and view it that way versus embedded in the post. The image quality is better and it’s easy to compare to the next image:

How Was This Picture Made - Portrait Edited How Was This Picture Made #5: The Answer How Was This Picture Made Portrait Edited 1

NIKON D800 + 85mm f/1.4 @ 85mm, ISO 200, 1/640, f/1.4

As you can see from the caption with the metadata information, I used a full frame camera with an 85mm lens at an aperture of f/1.4. This is my go-to camera/lens combination for portraits like this. Whenever possible I shoot at f/1.4, which gives the background a beautiful, dreamy look like you see here. A few people guessed that I spot metered for the face, which is indeed what I did.

This image was taken in Fort Collins, CO near the Poudre River. I positioned Sander about 10 feet in front of some bushes that were growing near the river. With the sun behind him, there were specular highlights on the leaves from the direct sun that was hitting them. At an aperture of f/1.4, these highlights turned into the soft, appealing bokeh you see here.

Since the sun was behind him, I also used a white reflector to add a bit of fill light to the side of his face that was away from the sun (due to the reflector, you can see a very soft shadow from his collar on his neck). Some people guessed that I used a secondary light source like a strip light or an LED panel for fill, but this wasn’t the case. I had him standing in open shade with plenty of light coming from the sky (which created the horizontal catch lights in his eyes) to keep shadows to a minimum. No additional lighting was used to compliment the sun.

Now let’s take a look at the original (again, click on it and you can easily toggle back and forth between the original and final image):

How Was This Picture Made - Portrait Original How Was This Picture Made #5: The Answer How Was This Picture Made Portrait Original 1

NIKON D800How Was This Picture Made #5: The Answer ir source bk t aios08 20 bm id default l ktl linkId 65c0876221eb6970a45ee7f474fd5bde cb 1454274244037 + 85mm f/1.4How Was This Picture Made #5: The Answer ir source bk t aios08 20 bm id default l ktl linkId 70b6fe2e2d9dc46b05d77542fb37749b cb 1454274274458 @ 85mm, ISO 200, 1/640, f/1.4

Can you tell what was done to it? You should be able to tell that it’s now warmer and has more contrast than the original. Here’s a screenshot of my Lightroom settings so you can see what I did:

How Was This Picture Made - Portrait Screen Shot Settings How Was This Picture Made #5: The Answer How Was This Picture Made Portrait Screen Shot Settings

Lightroom Screenshot With Develop Settings

Not shown in these settings are also a slight curve adjustment to make everything pop a bit more and split toning to warm things up a bit. I also used Lightroom’s lens correction for the particular lens I used. If you compare the original to the edited version, you’ll also see that I removed a few small blemishes, which is pretty standard for any portrait work. No additional masking or dodging of Sander’s face was involved.

You might think this is all I did to this image. I could have stopped there and been happy, but since I liked this image so much, I wanted to add just a little something extra. Maybe if you look at the image without it you’ll be able to notice:

How Was This Picture Made - Portrait Screen Shot No Gradient How Was This Picture Made #5: The Answer How Was This Picture Made Portrait Screen Shot No Gradient

Lightroom Screenshot With No Gradients

Doesn’t it look more plain? That’s because I added two colored gradients, one to each side. I added a slightly overexposed light yellow gradient coming from the top-right corner (which enhances the sunlight) and a slightly underexposed green gradient coming from the upper-left side (which enhances the foliage).

Here are screen shots of both gradients and their settings:

How Was This Picture Made - Portrait Screen Shot Warm Gradient How Was This Picture Made #5: The Answer How Was This Picture Made Portrait Screen Shot Warm Gradient

Lightroom Screenshot With Yellow Gradient

How Was This Picture Made - Portrait Screen Shot Green Gradient How Was This Picture Made #5: The Answer How Was This Picture Made Portrait Screen Shot Green Gradient

Lightroom Screenshot With Green Gradient

Once you know to look for it, this is an effect you’ll see used occasionally in portrait and wedding photography. I never try to go too crazy with it (some people add reds, blues and other colors), but it does come in useful when you want to add a little something extra, yet subtle, to your images. I should also note that this was done before Lightroom introduced the ability to use an eraser brush on portions of a gradient, so if you look closely you might see a very slight tint of green on his hair.

Finally, at what point during the photo session did I take this photo? This was one of the last images of the day. I find that almost everyone starts out portrait sessions wanting to do big “cheese” smiles. That’s what we’re taught to do in front of the camera from the time we’re old enough to smile. Photos of a nice big smile are great, but I also like to get some that are more calm and relaxed, as it’s actually a more natural look for our faces (not to mention most teenagers prefer a more “moody” photo to a big smile). This is difficult to do until the end of a session. By that point, my subjects trust me and are more willing to do something a little different, even if it’s only as simple as not smiling for a photo.

Hopefully this was fun for you and you learned something along the way. It was great reading all of your guesses and responses. Thanks for playing along and I’ll be on the lookout for another photo to use for the next How Was This Picture Taken!

 

This article originally appeared on Photographylife

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Mitakon 50mm f/0.95

Mitakon Zhongyi 50mm f/0.95 Mitakon 50mm f/0.95 Mitakon Zhongyi 50mm f0

Lens Summary

Brand: Mitakon
Also Known As: Zhongyi 50mm f/0.95
Lens Type: Prime Lens
Format: Full Frame / FXMitakon 50mm f/0.95 ir source bk t aios08 20 bm id default l ktl linkId cd9074e10c33b08ab898a7216acfa2b6 cb 1454173710802
Focus: Manual Focus
Lens Mount: Sony E, Sony FE
Release Date: 04/16/2014
MSRP Price: $899 (Check Current Price)
Made in: China
Production Status: In Production

Lens Description: The SpeedMaster Series FE 50mm f/0.95Mitakon 50mm f/0.95 ir source bk t aios08 20 bm id default l ktl linkId 29d4e52b3409645505f1dcb55d3f0987 cb 1454174986111 Ultra-fast standard lens is specifically designed for the Sony A7 full frame mirrorless cameras; all the A7 family users can enjoy the extreme performance from f/0.95. Step-less aperture control and Silence Manual focus design, perfect for cinema and video shooting.

Mitakon 50mm f/0.95Mitakon 50mm f/0.95 ir source bk t aios08 20 bm id default l ktl linkId 6610af5ab52274d30bbace210929a385 cb 1454174951300 Specifications

Lens Type Prime Lens
Focal Length 50mm
Mount Type Sony E, Sony FE
Format Full Frame / FX
Compatible Format(s) Full-Frame / APS-C
Compatible with Teleconverters No
Vibration Reduction / Image Stabilization No
Aperture Information
Aperture Ring Yes
Maximum Aperture f/0.95
Minimum Aperture f/16
Maximum Angle of View (APS-C or smaller format) 31°30′
Minimum Angle of View (APS-C or smaller format) N/A
Maximum Angle of View (Full Frame format) 46°
Minimum Angle of View (Full Frame format) N/A
Optical Information
Lens Elements 10
Lens Groups 7
Diaphragm Blades 9
ED Glass Elements 4
Aspherical Elements 1
Nano Coating No
Super Integrated / Super Spectra / T* Coating No
Focus Information
Focus Manual Focus
Built-in Focus Motor No
Silent Wave / Ultrasonic Motor No
Internal Focusing No
Rear Focusing No
Minimum Focus Distance 0.50m
Filter Information
Filter Size 58mm
Accepts Filter Type Screw-on
Physical Characteristics
Weather / Dust Sealing No
Mount Material Metal
Tripod Collar No
Dimensions 87mm x 68.5mm
Weight 720g
Other Information
Available in Colors Black

Lens Construction

Mitakon Zhongyi 50mm f/0.95 Lens Construction Mitakon 50mm f/0.95 Mitakon Zhongyi 50mm f0

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  • Exceptionally fast 50mm lens features an f/0.95 maximum aperture for selective focus control and...
  • Four extra-low dispersion elements and one ultra high refraction element work to minimize...
  • Manual focus design and a click-less, silent aperture ring promote smooth handling and are...
  • Fast f/0.95 Aperture
  • Full Frame Coverage
  • Sony E Mount
  • 67mm Filter Thread
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1
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Shenyang Zhongyi Optical & Electronic Company Limited
Zhongyi
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1
1
Product Group
Photography
Photography
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Shenyang Zhongyi Optical & Electronic Company Limited
Zhongyi
Studio
Shenyang Zhongyi Optical & Electronic Company Limited
Zhongyi
Warranty
5
Barcodes
  • EAN: 0687927782273
  • MPN: 50mm f/0.95
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  • Model: 50mm f/0.95
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  • EAN: 0852661819015
  • MPN: PRO
  • UPC: 852661819015
  • Model: Speedmaster PRO
  • Part Number: PRO
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Mitakon 50mm f/0.95 Sony FE Cameras Standard-Prime Lens
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Mitakon 50mm f/0.95 Lens for Sony E-mount Full Frame Mirrorless Cameras, 10 Elements/7 Groups, 1.64' Minimum Focusing Distance, Manual Focus

Mitakon 50mm f/0.95 Lens for Sony E-mount Full Frame Mirrorless Cameras, 10 Elements/7 Groups, 1.64' Minimum Focusing...

Mitakon 35mm f/2 (Nikon F) Standard-Prime Lens

Mitakon 35mm f/2 (Nikon F) Standard-Prime Lens

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as of January 30, 2016 18:27 CET
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Features
  • Exceptionally fast 50mm lens features an f/0.95 maximum aperture for selective focus control and...
  • Four extra-low dispersion elements and one ultra high refraction element work to minimize...
  • Manual focus design and a click-less, silent aperture ring promote smooth handling and are...
  • A nine-bladed aperture contributes to an aesthetic out-of-focus quality
  • Prime wide angle lens designed for both APS-C and full-frame sensors. On APS-C-sized sensors, the...
  • Manual focus design is complemented by both depth of field and distance scales for utilizing...
  • 35mm focal range is perfect for everyday shooting.
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Mitakon
Mitakon
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Mitakon
Shenyang Zhongyi Optical & Electronic Company Limited
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1
1
Product Group
Photography
Photography
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Mitakon
Shenyang Zhongyi Optical & Electronic Company Limited
Studio
Mitakon
Shenyang Zhongyi Optical & Electronic Company Limited
Color
Black
Warranty
5
Barcodes
  • EAN: 0889583128741
  • MPN: MTK50MF095BK
  • UPC: 889583128741
  • Model: 50mm f/0.95 Mirrorless
  • Part Number: MTK50MF095BK
  • EAN: 0687927782327
  • MPN: 35mm f/2 (Nikon F)
  • UPC: 687927782327
  • Model: 35mm f/2 (Nikon F)
  • Part Number: 35mm f/2 (Nikon F)
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Mitakon 50mm f/0.95 Lens for Sony E-mount Full Frame Mirrorless Cameras, 10 Elements/7 Groups, 1.64' Minimum Focusing Distance, Manual Focus
Mitakon 35mm f/2 (Nikon F) Standard-Prime Lens
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Features
  • Prime wide angle lens designed for APS-C mirror less camera users with landscape-shooting need.
  • Feature a fast f/1.7 aperture for shooting in low-light condition
  • Compact size (55mm x 61.5mm) and light-weight (246g) make it perfect for mirror less camera users.
  • Focal Length: 85mm
  • Max. Aperture: 1.2
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  • Aperture Blades: 11
Binding
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Brand
Mitakon
ZHONGYI
Color
Black
Is Eligible For Trade In
1
1
Label
Shenyang Zhongyi Optical & Electronic Company Limited
Zhongyi
Package Quantity
1
1
Product Group
Photography
Photography
Publisher
Shenyang Zhongyi Optical & Electronic Company Limited
Zhongyi
Studio
Shenyang Zhongyi Optical & Electronic Company Limited
Zhongyi
Warranty
5
Barcodes
  • EAN: 0687927782426
  • MPN: 24mm f/1.7 (Sony E)
  • UPC: 687927782426
  • Model: 24mm f/1.7 (Sony E)
  • Part Number: 24mm f/1.7 (Sony E)
  • EAN: 0889583128819
  • MPN: ZY8512E
  • UPC: 889583128819
  • Part Number: ZY8512E
Images
Mitakon Zhongyi 85mm f/1.2 Speedmaster Camera Lens For Sony NEX FE E Mount
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Mitakon 35mm F/0.95 MF Camera Lens for Fujifilm X-Pro NEX M43

Mitakon 35mm F/0.95 MF Camera Lens for Fujifilm X-Pro NEX M43

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$183.51
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$750.00 1 new from $750.00
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Features
  • Prime wide angle lens designed for both APS-C and full-frame sensors. On APS-C-sized sensors, the...
  • Manual focus design is complemented by both depth of field and distance scales for utilizing...
  • 35mm focal range is perfect for everyday shooting.
  • Maximum aperture: f/0.95
  • Minimum focusing distance: 0.3 m
  • Lens Construction: 10 elements / 7 groups / 6 aspherical lens
  • Available mounts: Sony NEX (E mount), Micro Four Thirds (M4/3), Fujifilm X, Canon EOS M (EF-M)
Binding
Electronics
Electronics
Brand
Mitakon
Mitakon
Color
Black
Label
Shenyang Zhongyi Optical & Electronic Company Limited
Mitakon
Package Quantity
1
1
Product Group
Photography
Photography
Publisher
Shenyang Zhongyi Optical & Electronic Company Limited
Mitakon
Studio
Shenyang Zhongyi Optical & Electronic Company Limited
Mitakon
Warranty
5
Barcodes
  • EAN: 0687927782310
  • MPN: 35mm f/2 (Canon EF)
  • UPC: 687927782310
  • Model: 35mm f/2 (Canon EF)
  • Part Number: 35mm f/2 (Canon EF)
  • EAN: 0852661818971
  • MPN: NA
  • UPC: 852661818971
  • Part Number: NA
Images
Mitakon 35mm f/2 (Canon EF) Standard-Prime Lens for Canon SLR Cameras
Mitakon 35mm F/0.95 MF Camera Lens for Fujifilm X-Pro NEX M43

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Mitakon 35mm F0 95

The Mitakon 35mm f/0.95 lens is an ultra fast prime lens with a bright f/0.95 maximum aperture making this lens ideally suited for working in difficult lighting ...



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